Mystery Movie Synth Soundtrack / Progressive 1970s to 1980s Berlin School Synthwave [Full Album]

15 апр. 2025 г. #vintagesynthesizer #berlinschool #synthwave In the twilight of 1982, beneath a blood-red moon over Tokyo, the Cosmic Synth Babes were summoned for a project unlike anything they had ever done before—a Japanese mystery horror film with a title as spine-chilling as it was electrifying: Night of the Deadly Synths. Tracklist: NIGHT OF THE DEADLY SYNTHS [Full Album] 00:00 Midnight Circuit Possession 05:52 The Sequencer Knows 14:31 Bassline of Dread 24:15 Sequenced Terror 30:12 Fatal Arpeggios 38:53 Ghost Frequency 1982 49:41 Cursed Patch Cable 56:11 The Sequencer Knows 01:05:47 Haunted by Modulation 1:15:00 Final Patch: No Escape Tracks by: Soulgate Music Artwork & Animation by: Soulgate Music © Copyright Soulgate Music. Reuse of audio or video is not allowed. The director, a reclusive auteur known only as Kurosawa Y., had a vision: a sonic nightmare that pulsed with analog dread and synth-driven suspense. There was only one group capable of bringing it to life—the Cosmic Synth Babes. Their reputation for bending electricity into emotion had crossed oceans, and now, they were about to fuse the eerie aesthetics of Japanese horror with their signature Berlin School DNA. At the core of their sound arsenal was the Sequential Circuits Prophet-5, used to craft ominous pads that slowly unfolded like fog creeping through an abandoned shrine. The ARP Quadra provided sweeping string stabs and eerie sci-fi textures that dripped with tension, while the ARP Avatar Guitar Synthesizer allowed their guitarist to summon howls and screams directly from her Fender Stratocaster—tones that seemed to echo from some cursed dimension. The ARP Sequencer and Roland CSQ-600 locked into hauntingly hypnotic loops—minimalist patterns that never resolved, feeding a sense of dread and anticipation. The Sequential Circuits 700 Programmer was used to manipulate tone parameters in real time, shaping basslines that growled like ancient spirits. Vocals for the film’s possessed antagonist were filtered through the Roland SVC-350 Vocoder, transforming whispers into garbled, mechanical incantations. These phrases were sampled and layered into the soundtrack, turning dialogue into sonic texture. The Linn LM-1 Drum Computer delivered the heartbeat of the horror—dry, thudding kicks and snare hits like footsteps in an abandoned hallway. The Fender Jazz Bass, run through analog pedals, delivered throbbing low-end motifs, while the Stratocaster provided piercing, echo-drenched melodies that screamed like banshees in the night. The film’s main theme—“Midnight Circuit Possession”—became an instant underground cult hit. A blend of arpeggiated dread, whispered vocoder chants, and ghostly synth choirs, it played over the iconic opening credits: a young woman walking alone in neon-lit Tokyo, her shadow glitching as unseen machines awaken beneath the city. When Night of the Deadly Synths premiered, audiences were stunned—not just by the film’s mind-bending visuals and surreal narrative, but by its score. Critics called it “a sonic séance,” “analog terror incarnate,” and “a futuristic funeral dirge carved from voltage.” The soundtrack was released on blood-red vinyl, quickly becoming a collector’s item. That same year, the Cosmic Synth Babes performed the score live in a Tokyo warehouse turned shrine to horror cinema. The Night of the Deadly Synths soundtrack remains one of the darkest jewels in the Cosmic Synth Babes’ discography—proof that even in the shadows, their cosmic light could burn with a spectral fire Оригинал - https://www.youtube.com/watch?v=NaCqqg8kYt0 ВНИМАНИЕ! Весь контент представлен на основании и в рамках "ДОБРОСОВЕСТНОГО ИСПОЛЬЗОВАНИЯ" (юридической нормы известной как "правовая доктрина США, которая описывает исключения и ограничения исключительного права, предоставляемого автору творческого произведения законом в соответствии с п. 8 раз. 8 ст. 1 Конституции США"), которое ДОПУСКАЕТ использование БЕЗ ПОЛУЧЕНИЯ РАЗРЕШЕНИЯ ВЛАДЕЛЬЦА АВТОРСКИХ ПРАВ до тех пор, пока это способствует прогрессу науки и полезных искусств и/или в целях критики, комментирования, освещения новостей, обучения (включая размножение для использования в классах), преподавания или научных исследований, когда добросовестное использование защищённых произведений не является нарушением авторских прав, в том числе не признаются нарушением воспроизведение произведений (в том числе аудиозаписей), и статьи 1291 ГК РФ "Отчуждение оригинала произведения и исключительное право на произведение" ("если исключительное право на произведение не перешло к приобретателю его оригинала, приобретатель без согласия автора или иного правообладателя и без выплаты ему вознаграждения вправе демонстрировать приобретённый в собственность оригинал произведения и воспроизводить его...").