Una furtiva lagrima L'elisir D'amore. Who is the tenor?

Great performance with great Italian tradition of singing. Today's requirements of singing are based on so called "come scritto reading" and no scooping allowed. Scooping, or extreme legato, was the way Italian singers like Gigli, Caruso, Schipa were expressing they emotional singing. Today's opera is not in hands of singers but in full power of so called coaches and conductors who realy know little about great singing of the golden era of Belcanto. It's them we blame for the dicline of the great art, correct and unemotional production of the voice